Period of three years experience Hoobastank not make many changes, at least in their style of play. FOR (N) EVER, to the four albums that appear after EVERY MAN FOR himself in the year 2006, as a 'rehearsal' of this California band origin, either the strategy or the market, clearly Doug Robb, Dan Estrin, Chris Hesse Jesse Charland, and still the same (only).
Not how, My Turn, the first single released on 13 October 2008, the band by the shelter under a subsidiary label giant Universal Music Group, Island Records hits this reconstruct their Out Of Control album of the reason. As if they want to show that they remain in the grip post grunge or more extreme again, nu metal, when in reality the majority of fans know them as pop-rock band. Not to mention, the time period long enough to make this band as' wrong 'first single select.
To two single, So Close So Far, is a combination aransemen, themes, lyrics, tempo similarity to the single (which should be honestly acknowledged making sweet demand Hoobastank) The Reason. May be a strategy? Or even 'science' is the same, considering the Howard Benson is a person who is standing behind these two albums.
Perhaps you have just heard, read or even including the rate of Hoobastank is a band that terinfluence by Incubus. Nah, the album that, according to Doug Robb is the highest manifestation of ideas' so this is clearly visible. Track to seven, Sick Of Hanging On has a lot of character and riff A Crow Left of the Murder Incubus property.
While the track number eleven, may be spelled 'eleven-twelve' with Light Grenades written by Brandon Boyd and his friends. Logikanya, if the thick feel of Silverchair Kurt Cobainnya, the band as the same came from California, Hoobastank legally-valid only take as a reference Incubus.
At least, in the FOR (N) EVER, Hoobastank successfully create a new sound-sound that original, aransemennya also create various colors, from funk to shoe gaze. One question left for the band that had one of the three sekolahan with Linkin Park, Rob Bourdon, Brad Delson and Mike Shinoda, the era in which the music appreciation depends on three things, originalitas, packaging, bags and listeners, whether they will continue to survive
